Additional actions:

Thumbnail
Gothicka : vampire heroes, human gods, and the new supernatural / Victoria Nelson
Books/Textual Material | Harvard University Press | 2012.
Available at Gumberg 2nd Floor (PN3435 .N45 2012)
close
see all

Items

Location Call No. Status
Gumberg 2nd Floor PN3435 .N45 2012 AVAILABLE
‚Äč Show fewer items
Drop Up Shadow

More Details

Imprint
Cambridge, Mass. : Harvard University Press, 2012.
Descript
xiii, 333 pages : facsimile, illustrations ; 25 cm
text txt rdacontent/dut.
zonder medium n rdamedia/dut.
band nc rdacarrier/dut.
Bibliog.
Includes bibliographical references and index.
Contents
White dog, the prequel : between imagination and belief -- Faux Catholic : a Gothick genealogy from Monk Lewis to Dan Brown -- Gothick gods : the worshipful world of horror fandom -- Decommissioning Satan : in favor of his man-god whelps -- Gothick romance : the danse macabre of women -- The bright god beckons : the new vampire romance -- Postapocalyptic Gothick : that means zombies (and the occasional zampire) -- The Gothick theater of Halloween : performing allegory -- The ten rules of Sitges : global Gothick horror and beyond -- Cathedral head : the Gothick cosmos of Guillermo del Toro -- The new Christian Gothick : The shack and other cathedrals -- Epilogue: Questions without answers.
Summary
To explain the millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H.P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic--the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
Subject
ISBN
9780674050143 (alk. paper)
0674050142 (alk. paper)
MARC
OCoLC
20150818105651.0
111003s2012 mauah b 001 0 eng cam4a
GBB212117 bnb
016026158 Uk
808355462 810181826
(OCoLC)757717994 (OCoLC)808355462 (OCoLC)810181826
DLC eng DLC YDX BTCTA BDX YDXCP ERASA BWX CDX YBM VP@ VVC UKMGB FCM OCLCO EEK STF UBY IAD KUT FDA PZU CGN MYG OCLCF NLGGC OCLCQ CHVBK OCLCO OCL DUQ
pcc
DUQQ Backstage vmh
.b8339119
C0 DUQ
NEH Library Endowment - Humanities Collection cop.1
View in classic catalog View in classic catalog View MARC display View MARC display
Back to top